My Ultraman review series continues with episodes 2-5! If you haven’t already, be sure to read the intro section that goes over the first episode! Now that we’ve laid the groundwork, we can dive into the outrageous adventures of Ultraman and his little orange buddies at the Science Patrol! In this batch of episodes, they tangle with a Creature from the Black Lagoon look-alike, a bloodthirsty flower, an electricity-slurping dino-freak… and one of Ultraman’s creepiest, most iconic villains!
Squeeze into your orange lycra, grab a couple million volts to munch on and fire up one of your many jets, it’s time to blast off with Ultraman and his Ultrafriends and Ultrafoes!
It’s been a long time coming, gang! I’ve teased it the last few months, did a dry run (of sorts) with Redman, and even did some special scheduling and pre-planning to boost my chances of even pulling it off: this month, I’m
punching myself in the wiener as hard as I can reviewing the original Ultraman series! All thirty-nine (Jesus Christ) half-hour episodes!
Or at least, that was the original plan!
The hectic holiday season and the sheer volume of content at hand means I bit off way more than I can chew here. To give Ultraman his due, MONSTERS CONQUER THE WORLD is gonna do something a little different for the next couple months. To start, this post will provide a brief intro/background on the series and then take an in-depth look at the first episode. In the coming weeks I’ll nibble away at the monumental first series in bite-size chunks until I’ve devoured every single episode of Ultraman! (Too many food metaphors, sounds like you’re going to eat him.-Ed.)
Considering my time management skills, am I still biting off more than I can chew? Maybe! Is it ridiculously overdue and absolutely worth it? You bet your beta capsules, baby!
Alongside Batman and Star Trek, Ultraman forms a triumvirate of hugely influential science-fiction/fantasy television shows that exploded into homes in 1966. Eiji Tsuburaya, the special effects warlock that gave us Godzilla, Rodan, Mothra, and King Ghidorah (and therefore the Japanese monster boom of the 60s) birthed this bionic bad-ass and redefined the giant monster genre in the process. It’s a big ol’ slice of TV history… and a still-thriving multimedia/merchandising empire that rivals (and in some cases surpasses) Godzilla’s! Let’s find out what exactly is so Ultra about this man!
I’ve mentioned Ultraman before on Monsters Conquer the World: it’s the groundbreaking, genre-defining superhero television series dreamed up by Godzilla special effects mastermind Eiji Tsuburaya. While Ultraman’s monster-battling antics achieved moderate success here in the States, it was a huge hit in other parts of the world, especially its home country of Japan. There Ultraman is a beloved character, pop culture icon, and merchandising juggernaut, and for good reason. Just like Star Trek or Doctor Who, the series has been running in some form or another since its debut in the 60s, constantly finding new generations of devoted fans. Basically, it’s ridiculous that I haven’t reviewed this yet.
And I’m still not reviewing it yet! I plan to before the end of the year, but for now I’m reviewing Ultraman’s mysterious, cheap-o, dirtbag cousin Redman. Ultraman spawned plenty of knock-offs, some made by Tsuburaya Productions themselves, but Redman is different. Simply put, there is a hilarious, accidental darkness inherent to Redman and his chintzy production values. Monster fans on both sides of the Pacific have found that the intended superheroics play out a lot more like giant monster snuff films. Take a deep breath, because this month I’m reviewing
Kaiju Cold Case FilesRedman!