Frankenstein Conquers the World… and Our Hearts

frankenstein_conquers_the_world

The name of my blog is Monsters Conquer the World, and this month I’m reviewing Frankenstein Conquers the World.  You probably won’t drop your monocle into your brandy in astonishment when I say that Frankenstein Conquers the World is one of my favorite giant monster movies, and with Halloween right around the corner, what better time to talk about this delightfully insane monster mash?  That’s right, in Conquers the World, Toho’s Godzilla team gave The Modern Prometheus the full kaiju treatment: an atomic origin story, gigantic size, a city-wide rampage, and damn it, you better believe they found a way to make him fight a man-eating dinosaur at the end! That plot synopsis might sound like word salad, but director Ishiro Honda, suitmation and special effects guru Eiji Tsubaraya, and everybody else associated with the production play it mostly straight, and the whole thing amazingly comes together.  We’ll talk about that, the Frankenstein monster’s (sort of) lost battle with a gigantic land-octopus, and the movie’s long road from concept to completion, replete with traditional showbiz backstabbing! So dig up a radioactive monster heart to chow on and keep reading!

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Gojira or: How I Learned to Keep Worrying and Fear the Bomb

godzilla gojira poster

Oh boy, here it is.  The big one.  The 1954 horror classic that started it all. Gojira, a horror movie?  Oh yes.  True, Godzilla doesn’t whisk a screaming maiden off into a haunted castle or lurk in the shadows with a machete and an irrational hate for horny teens, but the atmosphere of apocalyptic dread throughout this movie absolutely evokes the kind of life-ending doom you’d get from any traditional thriller.  Gojira didn’t quite invent atomic horror outright, but it’s easily the best example of it.  While other entries in the Godzilla franchise get goofed on for hokey plotlines, hammy or wooden acting, and primitive special effects, the original seems to rise above it all. Others have written whole books on how Toho’s creative dream team brought the iconic monster to life and his impact on the world, so I’ll hit the highlights, compare it to the Americanized cut Godzilla: King of the Monsters, and make some stupid jokes along the way.  Put your sunglasses on over your eyepatch, drop an Oxygen Destroyer in the fish tank, and grab Raymond Burr because I’m talking about Gojira!

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