So far on Monsters Conquer the World I’ve covered a substantial chunk of Eiji Tsuburaya’s work. Tsuburaya is the monster maestro that pioneered Suitmation, giving us a fantastical world of gigantic monsters and heroes portrayed with live actors and scaled sets. So with Tsuburaya kicking ass over in Japan, what was happening in the western world? Did Hollyweird just settle for compositing close-ups of iguanas in with footage of actors? Yeah, sometimes! But also no! When the studios gave a shit (and for whatever reason didn’t want to go with practical props/puppets), that’s where one mister Ray Harryhausen would step in!
Harryhausen, like Tsuburaya, took an established method of visual effects, innovated the bejeezus out of it, created some of the bitchingest sci-fi/fantasy films of the pre-Star Wars era (and a couple post-Star Wars), and inspired entire generations of filmmakers. Harryhausen’s stop-motion animated critters are fucking rad, so this month I’m finally reviewing one of his colossal creations: 20 Million Miles to Earth! The 1957 creature classic is super-duper straight forward, but its bad-ass visuals and even a little bit of soul make it a Harryhausenian slam dunk. Grab some sulfur to snack on and prep your eyes for THE MIRACLE OF DYNAMATION!