Haruo Nakajima, the man inside the original Godzilla (and many other classic monsters like Mothra, Rodan, King Kong, and various Ultraman baddies) passed away on Monday August 7th, 2017. He was one of the best and bravest performers in film history, bringing to life one of the most iconic and beloved characters of the last century.
Nakajima was a founding figure in the genre, having played Godzilla for the first twelve consecutive films. Nakajima imbued rubber suit monsters with an impossible amount of emotion, personality, and humanity. He didn’t just endure the hellish conditions inside the kaiju suits (more often than not at risk of drowning, asphyxiation, and/or burns from pyrotechnics), he thrived, using his expertise to coach his fellow suit actors and choreograph the creature brawls that have thrilled audiences all over the world. He was The Man of a Thousand Monsters, and he’s directly responsible for some of the coolest shit to ever happen in cinema.
Fans from all over the world have stepped up and shared their favorite Nakajima stories, pictures, and tributes online, so I’ve collected some personal favorites here. Click through to check them out!
How the fart have I not reviewed the original 1961 Mothra yet? I’m correcting the fuck out of that oversight in honor of “Mothra’s” Day last Sunday. Mothra is easily Toho’s biggest mon-star other than Godzilla himself, and that’s got a ton to do with how awesome and original this movie is.
This isn’t just another big bug movie, it’s a groundbreaking genre film that brought wild fantasy and colorful adventure to the kaiju formula and put the monster’s motivation and personality front and center.
It’s also a beautifully shot, well acted, tightly plotted, fun, funny piece of classic kaiju fiction with some eye-popping action setpieces and visuals. I’ll talk about all that, plus the scrapped (heh) plane crash ending (and the suicide scare it caused!), the serialized novel the movie is based on (sort of???), the fact that it’s a stealth King Kong remix, and MOOOOORRRRE!!!
Guys, I’m fucking pumped. This month I’m reviewing one of my all-time favorite movies: Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (or GMK for short). It’s a movie as rad as its title is long. Directed by Gamera wunderkind Shūsuke Kaneko, this 2001 movie masterfully mashes together monsters, magic, and mystery. It stars a deliciously evil Godzilla, bolstered by heady themes, spectacular visuals, engrossing human characters, and slam-bang oh-shit monster wrassling insanity.
Let’s pick apart what makes it so fucking awesome, find all the juicy little Easter egg-y nuggets, talk about how we almost got Godzilla vs. The Mutated Spaceman instead, and reveal which GMK star spent the 70s shredding in a funk band! Kick over some little statues and absorb some souls, it’s time to All-Out Attack!
Easter’s come and gone, but in the spirit of the holiday (and spring in general) I just had to review Mothra vs Godzilla. It hits all the right notes! A pastel-colored stripey egg, themes of birth, death and rebirth, more eggs, a giant pink humanoid rabbit shitting out jelly beans, and tiny singing ladies. Okay, maybe not those last two. More importantly, MvG is straight up one of the best Godzilla films, and an absolute classic giant creature feature. It takes the blueprint Toho shakily put down in the previous King Kong vs Godzilla and refines it into the now-standard monster vs. monster formula while perfectly tying together Toho’s two most famous beasts. It’s also the first Godzilla flick to make it more or less unscathed to the States, with the exception of a schlocky marketing gimmick. Steal the Reese’s eggs out of your loved ones’ Easter baskets and cuddle up with an electrified steel net, because we’re talking about Mothra vs. Godzilla!
This post will be a little different from my previous few.
I haven’t watched my next movie yet, and that’s partially because I had some folks show interest in watching it with me, so you know, schedules and shit. Daigoro vs. Goliath is definitely next. Mainly because I’m 3 reviews in, and haven’t even touched the rich veins of camp and cheese that run through this genre. That’s okay though, because there’s a whole bunch of other giant monster shit to talk about! Come on and slam and welcome to the jam!